This post is the third and final post in a series on guest gardening at Chanticleer. Reflections on the first day can be found here and reflections on the second day here.
Day 3, Wednesday 22 June 2016
My last day guest gardening at Chanticleer I spent the morning with Joe Henderson. I have known Joe since I interned at The Scott Arboretum in Swarthmore, PA in 2008, and it was great to catch up with him and hear his rich perspective on gardening. Joe is an incredible gardener and artist; his media not only includes plants but also metal and glass as he once apprenticed as a jeweler. He helped make several ornate pieces at Chanticleer like the front fence and gate and the handrail up near the house.
We started at the rock ledge, a beautiful wildflower planting that connects the gravel garden with the pond below. A narrow gravel path winds through this wildscape. Joe talked about how all the space in a garden matters and how he strives for multilayer interest by planting through time. He said he once did a presentation on a small part of the garden and how he worked that area to get as much out of it as he could. For example, he planted snowdrops for color in late winter, ferns for interest in spring, and then colorful perennials for summer through autumn.
Part of making the garden perform is that his beds are packed with plants. He enjoys the ever changing nature of the garden and noted that it doesn’t matter what happens with the plants as long as the appearance is nice. Joe gives the garden free domain and unless what he sees is bad, he works with it. He noted that sometimes the less you know the better because rules and norms in horticulture confine you. Joe also shared the wisdom with me that he is never going to make everyone happy. If he likes the planting, he is happy.
But, to create a sense of order in his plantings, Joe said he focuses on designing with color and color schemes. He searches for colors and considers intricate details of even something like the color green. He asked, “What color green is it? Red, blue, yellow, etc.” Paying attention to such details allowed the garden to feel more intimate and connected.
I asked Joe about his approach to new plantings. He said he takes inspiration in the patterns of how plants appear in the wild and their natural distributions. Then, he emulates nature while taking advantage of horticulture minutiae of space, light, color, texture, foliage, and drifts. When adding plants on the rock ledge, he tried to tie his planting together with other parts of the garden using color since it can be seen from a distance. He talked about tying together his rock ledge with the elevated pathway and how he planted more pink and purple in the rock ledge to connect the two spaces. He said once he has a design, he plots out plants in a grid. On the grid, there is a dot everywhere that a plant occurs. He puts that species out and then goes back and repeats for other species.
Joe took me up to the far southwest hillside past Asian woods and we turned and looked back at the rock ledge that was about 500 feet away. I could still make out the Verbascum spears in the distance. He showed me how at Chanticleer they have been working on creating vistas. The idea is that these long views make a place feel bigger and yet more intimate because it appears all connected together. Had one not already visited the rock ledge, just walking up here and seeing something in the distance would encourage exploration. This vista was one, but others including the view from the house and elevated walkway were also important.
After a great morning with Joe, I met up with grounds manager Jeff Lynch around lunch. Jeff and I first met when I keynoted at the New York Botanical Garden the previous year, and during this trip our friendship really grew. I came to realize that we were both organic farming enthusiasts and shared many views on enriching soil for plants. I was so excited to learn about their O2 composting system they had built at Chanticleer.
The O2 composting system forces air into the compost pile using a greenhouse fan and drilled pipes under the pile. This oxygenation allows them to heat the pile based on how often air is introduced into the compost, and it removes the need for turning, which can be an issue in small spaces with large amounts. Jeff also said they introduced a small amount (~5% by volume) of biochar into the compost. Jeff noted that biochar that goes directly into the soil can make nutrients unavailable. With my background in soil science, I assume that putting it in the compost first fills those binding sites with nutrients.
Nate Pinelli managed the compost, and he kept detailed records on temperatures and time. Jeff mentioned how ardent they were about making sure that only organic matter went into the bins as soil and soil mix were too stable. Once filled, they cap it with old compost and cover the bins with compost fleece that allows air in but not moisture. That way, they can control how much water enters the pile, too. Once mature, they would sift the material and use it in the garden. I was blown away seeing this simple yet creative system.
I saved one of my favorite plantings from my time at Chanticleer for last—the elevated walkway. When I was there in 2016 the planting and pathway was roughly 1 year old, and I so appreciated the design and thought that went into making it amazing. In mid-June it was a floral explosion.
Jeff and I walked the elevated pathway later my last day discussing how the design went through several iterations before planting and how the staff had prepared the ground after construction using augers and air spades to get the soil just right. Jonathan Wright had done the design for the planting. The top of the walkway was planted with an open prairie habitat that faded into edge habitat and finally into woodland. While some plants were the same as I had seen just hours earlier on the rock ledge, the blues and grays created more of a cool-color scheme.
I loved seeing several of my favorite plants integrated together. Color echoes abounded. The glaucous foliage of Rudbeckia maxima and Eryngium yuccifolium. The mauve-to-pink Salvia sclarea and Echinacea species. The fading Allium with Nassella tenuissima. And, then you had things that just popped out like the massive leaves on Silphium terebinthinaceum or the crimson Silene virginica glowing under the quaking aspens from the setting sun. During my three-day guest gardening stint, I kept finding myself returning to this spot in different light and at different times of the day to appreciate its beauty.
So, there you have it. Three incredible days of guest gardening at Chanticleer. If I’m honest, I have been trying to write about my experience for the past four years since my visit. I would start and stop only because I felt it hard to describe three perfect days in one of the best gardens with some of the finest horticulturists I know. And, it is funny because as I have gone through photographs and notes, I see many threads of knowledge that I gleaned during my time at Chanticleer that I’m already applying. I weave experiences I had not only into my own garden but also into stories and inspiration for my students and for my greater learning audience out there.
So, in case you haven’t picked up on it yet, if you’re ever in the Philadelphia area, take a day or two (or three!) and visit Chanticleer. It will enrich your gardening soul.