How Nature Places Woodies and What It Teaches Us About Design

My bootcamp session Woodies in Naturalistic Design on May 18 at 6 pm CDT is great for learning how to use trees and shrubs in naturalistic plantings. This session gives you a practical framework for reading your site for trees and shrubs, understanding woody plant behavior, and placing shrubs and trees so your garden builds structure, shines through seasons, and works ecologically from the ground up.

Think for a moment about the last tree or shrub you planted. How did you pick it? Where did you decide to site it? Did you consider how to plant it to seamlessly integrate it into your garden? Or, does it feel like it’s sticking out like a sore thumb?

Placing woodies in plantings can be a source of frustration for designers. Many of us choose plants based on visiting garden centers, inspiration we saw online, or from looking through plant lists. These unfocused decisions can lead to a garden that feels more like a plant collection than something that appeared to happen naturally. And, when we work with woodies that may be around for decades or even centuries to come, thoughtful decisions matter.

To assist us, we can turn to nature for inspiration. We can think about designing with woodies in naturalistic plantings from the perspective of how nature places plants both in the wild and human-altered landscapes.

PLANT COMMUNITY ARCHETYPES

When we look at nature, woody plants arrange themselves into typical patterns based on a variety of factors like water availability, light levels, soil, and competition.

In Planting in a Post-wild World, Thomas Rainer and Claudia West talked about simplifying landscape design by discussing plant community archetypes. They stated, “Focusing on each [plant community] individually could take a lifetime, and more important, distract rather than clarify our task. After all, a montane oak-hickory forest of Virginia may be meaningless to someone in southern England, but a forest is a concept that both will understand. In order to create plantings with emotional resonance, we must first start with a point of reference that has broad appeal.”

They distilled plantings down into a few simple categories. They listed forest, woodland/shrubland, grassland, and edge, and below I’ve teased those out a bit. I also added hedgerows and fencerows as they are prevalent plant communities that exist due to human disturbance.

FOREST

Forests are where woodies grow to the max. Dense foliage cover from the layers of trees above prevent much from growing underneath save for patchy shrubs, ephemeral forbs, and shade-tolerant perennials. Shade levels vary based on the species present and influence what can grow below. For example, deciduous trees will provide light to hit the floor during the winter and early spring for ephemerals; however, evergreens rarely allow light to penetrate, thus limiting what can grow below.

Naturalistic plantings in dense forests often focus on enhancing the plantings at ground plane with stress-tolerant perennials and self sowers. Shrubs can grow in this space, but they may struggle from the lack of light. Also, visual sight lines are important in such a space as having too many shrubs or other plants break the view and can make one feel claustrophobic.

At Porter’s Creek Trail, notice how the ground cover layer is Phacelia fimbriata (fringed phacelia). You can see into the distance without shrubs or other vegetation blocking your view.

At Skylands, moss, ferns, and lichen dominate the layer under the forest.

WOODLANDS

Woodlands tend to be more open where trees are sparsely arranged. The open space is enough for allowing other grasses and shrubs to get established. I have visited glades and pine barrens from North Carolina to Tennessee and admired the diversity of plant species in these varied landscapes.

With a woodland approach, there are opportunities for the woody plants to shine as anchor species. Shrubs and larger perennials can be in orbit around them and grade to shorter grassland habitat.

A barren in east Texas offers a glimpse at a woodland in the wild.

The dark plate in the Lurie Garden features increasing numbers of trees to create the appearance of a woodland.

SHRUBLANDS

Shrublands are where we see shrubs dominate. These spaces may be in transition toward a woodland or forest, or they could also be stable successional states where management strategies or their density means trees cannot gain a foothold in the space.

We can use shrubs dominantly in a space, or they can be more sparse and mixed with herbaceous plants. In the southeast, I’ve seen shrublands in the mountains, at the beach, and in environments where trees struggle to grow or where they have been removed.

We apply this planting style often to cover a large space with the desire to have minimal management like an island bed of Itea virginica (Virginia sweetspire) or Ilex vomitoria ‘Nana’ (yaupon) in a parking lot. Shrublands are often most effective if we can see over the tops of them. And, we can be creative in integrating perennials into the space to maximize four-season interest.

On Gregory Bald Rhododendron cumberlandense (Cumberland azalea) and Vaccinium sp. (blueberry) form an almost impenetrable layer for walking through save for this trail.

The gravel garden at Chanticleer features a dominant shrub layer mixed with grasses and other forbs.

EDGES

Edges (also called ecotones) are where plant communities shift in response to changing conditions (wet to dry, light to dark, fertile to less fertile). Even disturbance and differences in mowing schedules can create this varied habitat as you traverse a landscape.

Edges are often what we encounter most in a homeowner’s property. The changing light levels as one moves from the house wall outward, the treeline on the fencerow that grades from shade to light, and gradient from the pond to the drier hill all create shifting conditions that can result in different species growing. We can use or enhance edges to tell a story with our plantings. When you walk across a landscape, overt repetitiveness can become boring. Changes in the landscape can keep things varied.

The vegetation in the Green Swamp abruptly shifts from grasses and Liatris pilosa (blazing star) to shrubs and then taller trees.

In Peirce’s Woods at Longwood Gardens, the plants shift from grasses to shrubs to taller trees along this edge gradient.

HEDGEROWS AND FENCEROWS

Hedgerows and fencerows are in a way man-made plant communities. The former was named for the living hedges that separate fields, and the latter from vegetation that arose from not maintaining these barriers. I don’t feel they neatly fall into any of the above categories. They are almost like someone cut a transect, a long brownie bite of a forest or shrubland. They also feel too narrow to be an edge. But, the next time you drive, pay attention to their prevalence. They are everywhere, and these linear plant assemblages are in some cases the greatest opportunities for biodiversity in fractured environments. I like to think of fencerows as nature seeping back into the landscape cracks after the clearing effects of man.

In some cases these are purposefully planted to create habitat. With these spaces you may be unable to turn them into a forest or a woodland, but you can augment what you have. You can add diversity to the periphery of the hedgerow or fence row. And, they can be worthwhile for us to use in gardens as well.

Fencerows and hedgerows criss cross our country, and in some areas may be the last foothold for diversity.

We can bring the concept of hedgerows into the garden, too. At Stoneleigh the wildlife hedge on the right offers a separator between spaces while also providing habitat for creatures in the garden.

WHICH DO YOU CHOOSE?

Here are some considerations on how to place woodies on your own site.

Which do you already have? It’s worth asking what woody plant arrangement do you already have on site and if you can enhance the essence of that woody planting because it’s better to work with the site instead of against it. For example, if you have a small forest filled with invasive species behind your house consider slowly clearing the intruders. When we purchased our property, we had a few trees scattered here and there. Our closest archetype was a woodland with open grassland spaces. So, I’ve set about enhancing that. I planted orchard trees to reinforce that character. And, on our fencerows I’ve started adding woodies to that space like Asimina triloba (pawpaw), Viburnum dentatum (arrowwood viburnum), and Cercis canadensis (eastern redbud) in the hopes to enhance the diversity after clearing out Ligustrum sinensis (Chinese privet).

How much space do you have available? When planting woodies, always keep their final size in mind in relation to the space you have. It may be hard to create a forest in a small backyard with an oak, but we can be strategic and choose trees that will mature at smaller sizes.

Is water available? One of the governing factors for woodies and especially trees is the presence of moisture. In the US, the 100th meridian has long been considered where the US gets too dry going west to be able to support trees. So, when siting woodies it’s important to remember that they will need regular watering during establishment. Before you plant, consider how you will deliver water to the trees and shrubs. Planting in the winter helps to alleviate that strain, but trees may still need water as they establish over the coming years.

Consider repetition to create coherence. In the wild you often don’t just see one tree by itself unless it’s the last tree settlers left centuries ago when cutting the forest in a field. Often we see woodies repeat to create the sense of a forest, woodland, or grassland. Consider when you plant trees to make small groves. Consider planting trees at different sizes. Maybe plant three large Magnolia virginiana (sweetbay magnolia) surrounded by a half dozen gallon plants. It makes it appear as if the grove is growing and spreading naturally.

If you need more ideas, consider joining us for the Botanic Bootcamp session Woodies in Naturalistic Design on May 18!

Balancing Coherence and Complexity

If you want to create better designs with people’s preference in mind, my Botanic Bootcamp The Preference Matrix for Naturalistic Design offers a deep dive into the four key factors coherence, complexity, legibility, and mystery and how they shape our emotional connection to landscapes.

With over 20 practical strategies, you’ll learn to how to better design spaces that are ecologically sustainable, visually engaging, and intuitive to navigate.

Crafting incredible plant combinations is something that every horticulturist desires.  We want our plantings to be engaging and beautiful. But, with so many plants, many gardeners wonder where to start?

We can frame our plant combinations in the mindset of balancing coherence and complexity from Rachel and Stephen Kaplan’s Preference Matrix.  Having both factors in plant pairings can create dynamic combinations that humans prefer when looking at landscapes.

From research, the Kaplans noticed that participants had certain preferences when looking at images of landscapes.  And, when they considered the similar patterns between those images they developed a matrix to explain those preferences.  The matrix has four components based on the combinations of the immediate or inferred human desire to understand and explore.

  • Coherence is where humans group things together in our visual field (immediate understanding).

  • Complexity is the perception of richness in a scene. Our eyes move around with different stimuli (immediate exploration).

  • Legibility is the ability to read the landscape and recognize how to traverse the space (inferred understanding).

  • Mystery is where information about the scene is hidden from us and the promise of more exists (inferred exploration).

BALANCING COHERENCE AND COMPLEXITY

When we are thinking about creating powerful plant combinations, coherence and complexity from this model can be great allies.  In garden design we often refer to coherence as repetition, harmony, and rhythm, and complexity is thought of as complementary colors, contrasts, or different shapes or forms.  

Many of my favorite combinations that I have seen over the years exploring the wild and gardens has been a balance between coherence and complexity, where the mind is able to group plants together based on color, texture, or form, and yet there’s a contrasting element to spice things up.  

Let's look at some real-world examples that demonstrate these principles in action. Each shows different ways to achieve coherence while maintaining engaging complexity. You can use these images to practice thinking about coherence and complexity below.

  • Before you read the caption pause and ask what makes the plants an effective combination.

  • Don’t worry too much on the specific plants and whether you can grow them or if they are native or not. Think how can you use the elements in your own design.

  • Also, remember landscape preferences are based on averages. I can’t promise you’ll love every image below, but I guarantee you’ll find inspiration by looking at them.

Hellstrip in Nacogdoches, TX. Coherence: warm colors. Complexity: flower shape.

Lurie Garden, IL. Coherence: the gray color in Eryngium (rattlesnake master) and the buildings behind. Complexity: different shapes from round flowers to flat structures behind.

Great Dixter, United Kingdom. Coherence: repeating white and maroon/pink colors. Complexity: the different textures and forms.

Great Dixter, United Kingdom. Coherence: repeating colors of yellow and purple. Complexity: having different plant texture and forms.

 

Chanticleer, PA. Coherence: repeating green. Complexity: Contrasting textures.

 

Chanticleer, PA. Coherence: repeating greens and blondes. Complexity: different plant shapes and architectures.

Rotterdam, Netherlands. Coherence: flower shape and cool color scheme. Complexity: different plant habits.

Oudolf Field, United Kingdom. Coherence: the purple color in all three plants. Complexity: different plant forms and floral architecture.

Oudolf Field, United Kingdom. Coherence: repeating the purple color. Complexity: solid flower spikes and wispy grass texture.

Montrose, NC. Coherence: repeating purple. Complexity: color in flowers and foliage for different textures.

Chanticleer, PA. Coherence: cool color scheme. Complexity: different flower shapes and plant architecture.

Hillside, United Kingdom. Coherence: repeating yellow and warm colors and repetition of the spikes. Complexity: the different plant forms and flower architectures.

PRACTICE CREATING COMBINATIONS

If you’re looking to make better plant combinations, thinking of how to balance coherence and complexity is a great place to start. Here are a few strategies you can use.

  1. Observe plants in the wild. You may notice combinations around you that are really captivating. Mirror them in your garden.

  2. Consider scale. Across a large site, coherence might be more important to help the plantings feel unified, but closer up there may be opportunities to play off more contrast.

  3. An easy framework. As you saw above a quick way to have an engaging combination is repeat a color in 2 or 3 plants and then vary the form, texture, or architecture. Just remember that on some plants, color may not last long, and you need that complexity to keep it engaging.

  4. Keep things simple. Too many different plants can quickly become quite chaotic. Don’t overdo it with too many plants.

  5. Screenshot ideas on your phone. I find myself capturing images that I see online. I file them into albums for ideas later and review them when making plant choices or buying seed and plants for the year.

  6. Test combinations at the small scale. Plants in pots are movable and offer you the chance to move things around before fully committing in the garden. You can find fun pairings this way.

  7. Create floral arrangements. Arrangements offer the chance to see what two plants would look like in close proximity. If nothing else, float flowers and leaves in a bowl of water or gather clippings and lay them out on the ground. Bringing plants together sparks ideas.

  8. Get comfortable with experimenting and failure. I planted Oenothera lindheimeri ‘Sparkle White’ (gaura) and Penstemon laxiflorus (nodding penstemon) together and thought they would work. It looked like the garden vomited pink cotton candy. It was too much. I removed the gaura so that the penstemon could really shine.

  9. Borrow ideas. I can’t tell you the number of horticulturists I’ve heard say they love to steal ideas from others. Read books, visit gardens, and study the work of others.

As you train your eye, you’ll start noticing coherence and complexity more in the wild and in gardens. Your garden is ultimately a reflection of your creativity and vision. Let coherence and complexity (and legibility and mystery) be tools in your design toolkit that help you create plantings that are both visually harmonious and full of discovery.

After all, the best gardens don't just follow principles. They tell stories. The question is what story will your garden tell?


KEEP GROWING

Easter Weekend at Biltmore

Last year for Easter, I shared about a wonderful trip that I took to the North Carolina mountains back in 2011 over this holiday.  The highlight I shared was visiting the virgin forest Joyce Kilmer Memorial Forest on Easter morning.  But, the weekend had other forays, too.

That year, Easter fell on April 24, the second latest date that Easter can be (April 25 is the latest). Colleagues had told me that the fourth weekend in April was one best times to visit Biltmore because the last of the tulips overlapped with the first of the azaleas.

If you aren’t familiar with the Biltmore estate in Asheville, North Carolina, it is an incredible place to behold. It was once home to George Vanderbilt, and the house is the largest private home in America with over 170,000 square feet! Frederick Law Olmsted designed the grounds and gardens for Vanderbilt as one of his last large projects, and Olmsted even encouraged him to grow trees. From that prompt Vanderbilt started one of the first forestry programs in the United States. While the house holds the history of the family, the gardens holds a plethora of plant delights.

In planning the weekend, I decided that visiting Biltmore early Saturday morning would fit best into the schedule because the crowds would be small.  Then, I could do wilderness jaunts the rest of the weekend. I hope you enjoy this eye candy as I relive a weekend at the Biltmore estate through this photolog.

I chuckle reflecting back on my handful of visits to Biltmore because I haven’t made it through the house yet.  For me, the gardens are what continually capture my attention.  

I chuckle reflecting back on my handful of visits to Biltmore because I haven’t made it through the house yet.  For me, the gardens are what continually capture my attention.  

One of my favorite views at Biltmore is near the house looking out to the distant mountains across a vast forest.  This visit the vista was a bit obscured by clouds, but the gray skies helped reduce the harsh shadows for better photography.

One of my favorite views at Biltmore is near the house looking out to the distant mountains across a vast forest. This visit the vista was a bit obscured by clouds, but the gray skies helped reduce the harsh shadows for better photography.

Up closer to the house, I admired the large Wisteria on the arbor.  Yes, I know the Asian species are quite invasive, and I always recommend planting Wisteria fructescens or Wisteria macrostachya.  But, still, it was spectacular seeing thi…

Up closer to the house, I admired the large Wisteria on the arbor.  Yes, I know the Asian species are quite invasive, and I always recommend planting Wisteria fructescens or Wisteria macrostachya.  But, still, it was spectacular seeing this behemoth of a planting.  

As I made my way toward the walled garden and tulip display, I passed by a beautiful mass of Hyacinthoides hispanica under this Fagus in the shrub garden.

As I made my way toward the walled garden and tulip display, I passed by a beautiful mass of Hyacinthoides hispanica under this Fagus in the shrub garden.

I reached the walled garden and was mesmerized by the tulip displays.  Warm pastels were surrounded by dark purples, and in the center a ring of white and black tulips provided contrast. With all the oval flowers it was like an Easter egg hunt …

I reached the walled garden and was mesmerized by the tulip displays.  Warm pastels were surrounded by dark purples, and in the center a ring of white and black tulips provided contrast. With all the oval flowers it was like an Easter egg hunt on steroids!

 
The arbor in the above image had these windows that created vistas for looking out into the garden.

The arbor in the above image had these windows that created vistas for looking out into the garden.

 
A shot from the west side of the arbor.  In the distance you can see the wall that gives the walled garden its name.  The perennial borders that surround the color beds were also coming to life.  Each time I visit here I always enjoy seeing the…

A shot from the west side of the arbor. In the distance you can see the wall that gives the walled garden its name. The perennial borders that surround the color beds were also coming to life.  Each time I visit here I always enjoy seeing the combinations the gardeners have made. 

In the perennial borders, I quite liked this contrasting color combination of yellow with purple, tending toward the side of blue, flowers

In the perennial borders, I quite liked this contrasting color combination of yellow with purple, tending toward the side of blue, flowers

A clump of Hyacinthoides hispanica emerges from a layer of Stachys byzantina.

A clump of Hyacinthoides hispanica emerges from a layer of Stachys byzantina.

White was a popular color used on the edges of the walled garden.  Here a single flower of Lamprocapnos (Dicentra) spectabilis ‘Alba’ rests on foliage.

White was a popular color used on the edges of the walled garden. Here a single flower of Lamprocapnos (Dicentra) spectabilis ‘Alba’ rests on foliage.

It was such good design to elicit harmony and repetition by pairing these similar-looking yet opposing inflorescence growth habits of this Wisteria and Baptisia.

It was such good design to elicit harmony and repetition by pairing these similar-looking yet opposing inflorescence growth habits of this Wisteria and Baptisia.

Paeonia lactiflora 'Krinkled White' living up to its namesake with the white handkerchief petals.

Paeonia lactiflora 'Krinkled White' living up to its namesake with the white handkerchief petals.

On my way out of the walled garden, I passed this incredible Halesia.    I so admire silverbells for their brilliant white flowers that sway in the breeze.

On my way out of the walled garden, I passed this incredible Halesia. I so admire silverbells for their brilliant white flowers that sway in the breeze.

Leaving the walled garden and conservatory area, I entered the azalea garden.  It was erupting with color during my visit.

Leaving the walled garden and conservatory area, I entered the azalea garden. It was erupting with color during my visit.

While I like the evergreen azaleas, I really love the native ones.  There’s just something about their flowers that makes me weak in the knees.  These plants are magnets for early season butterflies like swallowtails.  My jaw dropped seeing the…

While I like the evergreen azaleas, I really love the native ones.  There’s just something about their flowers that makes me weak in the knees. These plants are magnets for early season butterflies like swallowtails. My jaw dropped seeing these massive Rhododendron austrinum plants.

A closeup of the flowers of Rhododendron austrinum

A closeup of the flowers of Rhododendron austrinum

Rhododendron canescens was a favorite of mine from back in west Tennessee, and I was impressed seeing such large shrubs here at Biltmore.  They smell great, too!

Rhododendron canescens was a favorite of mine from back in west Tennessee, and I was impressed seeing such large shrubs here at Biltmore. They smell great, too!

Rhododendron canescens is often confused with Rhododendron periclymenoides, but Rhododendron canescens has gland-tipped hairs on the corolla tube; Rhododendron periclymenoides does not.

Rhododendron canescens is often confused with Rhododendron periclymenoides, but Rhododendron canescens has gland-tipped hairs on the corolla tube; Rhododendron periclymenoides does not.

This visit was my first encounter with Rhododendron alabamense.  This species can be identified by its white petals, yellow blotch, and lemon fragrance.

This visit was my first encounter with Rhododendron alabamense. This species can be identified by its white petals, yellow blotch, and lemon fragrance.

Another species I was delighted to find was Rhododendron vaseyi, a rare and at risk native azalea that occurs in 11 counties in North Carolina.  I had seen it on the Blue Ridge Parkway, and here I happened upon it in the garden.

Another species I was delighted to find was Rhododendron vaseyi, a rare and at risk native azalea that occurs in 11 counties in North Carolina. I had seen it on the Blue Ridge Parkway, and here I happened upon it in the garden.

 
There were other azaleas I didn’t know, likely hybrids or good wild selections.  I LOVE this color form.  Please send me a message if you know the cultivar!

There were other azaleas I didn’t know, likely hybrids or good wild selections. I LOVE this color form. Please send me a message if you know the cultivar!

 
Further back from the azaleas I found a wilder area of the garden where Asarum canadense was able to form large colonies.

Further back from the azaleas I found a wilder area of the garden where Asarum canadense was able to form large colonies.

Osmundastrum cinnamomeum fiddleheads unfurl amongst a matrix of green, Packera, and Hyacinthoides.

Osmundastrum cinnamomeum fiddleheads unfurl amongst a matrix of green, Packera, and Hyacinthoides.

A closeup of the pubescent fiddleheads of Osmundastrum cinnamomeum.

A closeup of the pubescent fiddleheads of Osmundastrum cinnamomeum.

 
One last look at the beauty of the Biltmore gardens.  Yes, mid-April is an incredible time to visit for inspiration and to witness the marvels of spring.

One last look at the beauty of the Biltmore gardens. Yes, mid-April is an incredible time to visit for inspiration and to witness the marvels of spring.